New Official Map: MBTA Rapid Transit, Based On Winning Contest Entry

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First sightings are coming in of Boston’s new rapid transit map being deployed on trains and stations, and prints are also available from MBTAgifts.com. For now, the map on the actual MBTA website is still the previous version.

The blurb about the map on MBTAgifts.com says:

The 2014 MBTA rapid transit map was the result of an international competition for designs. This map is based on the winning submission and has been complete[ly] redrawn and updated by Central Planning Transportation Staff for the MBTA.

Completely redrawn. Based on. Uh oh.

So here’s a side by side comparison between Michael Kvrivishvili’s contest entry (left) and the final map that the MBTA has ended up with (right). It’s clear that the final map is based on Michael’s entry, but with a lot of changes.

Some are necessary (the use of standard ADA accessibility symbols), some are improvements (SL 1 and 2 are shown properly as loop lines, and the treatment of the airport shuttle buses is one of the best I’ve seen so far), but the majority of the changes — in my opinion — dilute and harm the very strong and graphic design themes of Michael’s original map.

Michael’s entry focussed very strongly on straightening out the routes as much as possible, reducing the number of curves to the bare minimum required. His Red Line was perfectly straight, apart from a last flick down to Braintree. The Ashmont-Mattapan branch was similarly straightened out. Not any more: the Red Line has pretty much reverted to its previous shape, with more twists and unevenly spaced stations.

Similarly, Michael’s Green Line, which ran in a beautifully clean straight line from Haymarket all the way to Heath Street, has also gained extra curves, all seemingly because of a “need” to show that the line changes direction after Boylston.

Other changes that affect Michael’s original design balance: the reintroduction of “blobby” interchange markers, the thinning of commuter rail lines in relation to their (now oversized) station markers, smaller station labels, more labels that cut across route lines, abbreviations for station names (“Gov’t Center” just looks terrible) the use of ALL CAPS for terminal stations (bold text alone is enough differentiation, and easier to read), the elimination of the visual “hook” of the perfect diamond in the centre of the map… and worst of all:

The replacement of Michael’s elegantly stylised coastline that matched the design of the route lines perfectly with the god-awful “pseudo-geographical” background of the previous map. It looks hideous.

It seems to me that there’s a battle on this final map between Michael’s original diagrammatic approach and a desire for something more like a “real map”, and it’s these competing interests that harm the end result so much. Realistically, a Boston transit map that has to fit into a square is never going to be even remotely geographically accurate (as this image from Wikipedia shows). Michael’s well-considered design approach to this inherent problem was to eschew geography and create a diagram of services, reducing the number of curves in each line to make them easier to follow and evenly spacing stations as much as possible. That approach has been compromised by this final map, which really can’t decide what it wants to be – the old map or the new one.

Happy Easter from Transit Maps!

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(Bet you never thought I’d find an appropriate image for this!)

Source: zhujianxun/Flickr

Historical Map: Comprehensive Rapid Transit Plan for the City and County of Los Angeles, 1925

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This is one of the earliest plans commissioned by the City and County of Los Angeles. The consultants – Kelker, De Leuw and Co. of Chicago – were asked to create a plan to accommodate a future city population of three million.

Metro’s own history archive has this to say about the project:

The plan shows a number of proposed immediate and future subways: one across Hollywood to La Brea Boulevard, another from downtown to 7th Street, up Vermont Avenue, and across Third Street. It initially would have run to Larchmont Boulevard as subway with a future extension on elevated rail to Third Street and down Wilshire Boulevard to Beverly Hills and the ocean in Santa Monica.  It also shows a subway from downtown across Pico Boulevard, initially to Rimpau Boulevard with a future extension to Venice Beach. 

Solid lines on both the regional map and the urban map represent mass rapid transit routes recommended for immediate construction to relieve downtown congestion. Dotted lines predict future extensions that will be necessary to serve population increases. The plan recommended for immediate construction of 153 miles of subway, elevated rail, and street railways at a projected cost of $133,385,000. Strong opposition by the business community to planned sections of elevated rail, as well as voter reluctance to tax themselves to benefit the privately held Pacific Electric Railway and Los Angeles Railway effectively shelved the plan.

The map itself is a superb example of cartography, complete with some lovely contour work on the mountains around the city and simply lovely hand-drawn typography – check out the loveliness of that “PACIFIC OCEAN” label.

The map does a lot with a limited colour palette, but it’s effective: existing rapid transit in black, proposed lines in red, and everything else in a pleasant (and visually recessive) gold. It’s worth noting that there aren’t any roads shown on this map, just the tracks of the two main streetcar companies, the Los Angeles Railway and the Pacific Electric Railway (see this contemporaneous map of that system).

Our rating: Gorgeous, and fun to compare against the actual existing Metrorail system. Four stars!

Source: LA Metro archive library

Project: Highways of the United States of America

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My Transit Maps, Prints Available

After almost two years of single-handed research, design, checking and cross-checking, I’m incredibly proud and thrilled to present my latest map project. It shows every single current and signed Interstate Highway and U.S. Highway in the contiguous 48 states in a style very similar to my previous Interstates as Subway Map and U.S. Highways as a Subway Map projects. Having made two separate maps that showed each type of road, I really had to at least try to combine them both into one map, didn’t I?

View the map in the window below: zoom in and pan around to get a good look. You can go full-screen by clicking the icon, or by clicking here.

However, I’d stop short of calling this a “subway map”. While still taking many design cues from that genre, I’d rather call it a “simplified road map” instead. Because of the insane complexity of the two combined networks, there’s a lot more adherence to geography here than in those previous, more stylised diagrams. Yes, the roads have been straightened out a lot – especially the Interstates – but many cities fall pretty much exactly where they would be on a “real” map, and roads cross state borders at or very near the correct locations. The overall shapes of the states have also been preserved as much as possible: you’ll see why soon!

The map follows much the same design principles as the previous ones: white circles with black strokes denote named places (cities, towns, etc.) where two or more roads intersect. The more roads at that location, the larger the dot. Named places at intersections are always shown, even if they’re just a teeny-tiny little hamlet. Not all roads meet at named places, so there are intersections with no labels. Places that fall along a road between intersections are shown as a “tick”, and are included if they have a population of 1,000 or over (thanks, Wikipedia!). Obviously, some places are left off the map for clarity in very populous urban areas, especially if they are considered as part of a “greater” metropolis: I apologise in advance if your home town is missing. There’s still an incredible 4,385 named places on the map!

Having to show different types of roads on the same map meant that an additional level of complexity was introduced. I decided that stroke width was the best way to differentiate between two-digit Interstate Highways (the thickest stroke at 8 points wide in my working file), three-digit Interstates (6pt) and U.S. Highways (just 4pt wide). As before, bright colours were assigned to the “major” routes as defined by AASHTO: these are two-digit routes ending in “0” and “5”  for Interstates, and “0” and “1” for U.S. Highways. The U.S. Highways use a lighter tint of the corresponding Interstate colour to differentiate between them if they ever run in close proximity (this is rare, but it does happen: I-55 and U.S. 51 share the same roadway out of New Orleans, for example). Four different greys are then used for the “minor” routes, with cool greys being assigned to odd-numbered routes and warm greys used for even routes. Minor Interstates are represented in darker greys than the minor U.S. Highways to reinforce their higher position in the information hierarchy.

Roads that touch on the map while running parallel to each other are actually sharing the same physical roadway: in AASHTO-speak, they are “concurrent”. Because of the scale of the map, I can’t always show where a U.S. Route might leave a concurrent Interstate to serve a town and then rejoin again immediately afterwards.

Roads that run closely parallel without touching are not concurrent, but are sharing the same corridor. This often happens where an Interstate has supplanted a U.S. Route as the main highway through an area. While I’ve tried my best to show these corridors as accurately as possible, there are instances where the roads are on the “wrong” side of each other compared to the real world. This is especially true when a winding old U.S. Routes cross and recross a (much straighter) Interstate highway multiple times in a short distance.

Needless to say, this map is physically huge. My working Illustrator file was a massive 144 inches wide by 88 inches deep and posters are half that size – the smallest they can be and still retain good legibility. So why did I make the map so big and insanely detailed? Why was it important that the individual states retain their actual shape? Because I’m also making posters of individual states and regions.

And yes, there are posters for sale! Check out both the USA map and the individual state maps in the Transit Maps secure on-line store.

Victorian Rail Network – Concept Map, April 2014

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Here’s an interesting proposed new map out of Australia which combines Melbourne’s suburban rail network with the V/Line passenger rail service. In a way, this makes sense, as many of V/Line’s services act as commuter rail services from surrounding cities like Geelong. With the introduction of the myki farecard, much of the V/Line network now even shares the same ticketing system, as shown on the map by use of a solid grey route line. However, it does look a little odd to have Craigieburn (25km from the Melbourne CBD) so close to Albury at the end of the line (over the border into NSW, some 330km from Melbourne). In the end, the diagrammatic distortion is probably a good trade off in making a compact, legible map.

Overall, I really think this a good effort, and I certainly like it a lot more than the current Melbourne rail network map that just uses two colours (blue and yellow) to represent fare zones, although I don’t know if this map will replace that one or is meant to complement it.

I was going to comment that an indication of which direction trains travel around the City Loop would be good, but some research reveals that there’s no easy answer to that: trains can go opposite directions around the loop depending on the time of day.

Apparently, this map is on display at certain stations around Melbourne and Public Transport Victoria will be surveying customers for their opinion. However, putting a call to action on the poster – “for more information, visit our website” – really only works if the end user can actually find the relevant information easily (I gave up after 10 minutes).

Our rating: Nicely done. Three-and-a-half stars.

Source: Daniel Bowen/Flickr

Recreated Historical Map: East Berlin S-Bahn, 1980 by Maxwell Roberts

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What does noted alternate transit map designer Maxwell Roberts do when he comes across a rare postcard version of the East Berlin S-Bahn network from 1980?

He takes a photo of it, and then recreates it using modern design tools, of course.

Remember that the S-Bahn was still operated by the GDR even in West Berlin, although West Berliners boycotted the service for the most part, preferring their own U-Bahn network. The Staatsgrenze (state border) totally dominates even this supposedly “unified” service map, and it’s clear in a number of places where the border has cut a rail line neatly in two. The only place where interchange between the two halves of the system was even remotely possible was at Friedrichstrasse, and even then only after rigorous border screening.

The map itself is quite lovely – much nicer than this more well-known map from around the same time – with bright rainbow colours, restrained European typography (an East German alternate cut of Futura, as the original typeface was not available there at the time!), and nice mode differentiation. 

Our rating: A superb restoration of an obscure but excellent map, both design-wise and historically. Five stars!

Source: The Atlantic Cities

Submission: Transportation in the Backwaters of Kerala, India

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Submitted by Jim McNeill, who says:

Kerala in southern India is famed for its backwaters, a popular holiday destination for people to cruise in rented houseboats. I was amazed to see a transit map of the area, and not a bad one at that. I was impressed at the attempt to show road, train, boat and air all on the same map. Granted it’s not perfect, the ferry crossings become maze like in the centre and there are some awkward angles in the south, but overall I was impressed.

Transit Maps says:

It’s not the world’s most beautiful transit map, but I’m as impressed as Jim by the map’s intent: one map showing all the transportation options available in the Backwaters of Kerala – a huge area covered by lakes, lagoons, rivers and canals, sometimes compared to the Mississippi Bayous.

One thing the map doesn’t really do is give an idea of the scale of the area shown: it’s around 140km (86 miles) by road from Kollam at the bottom of the map to Kochi near the top. It’s only when you read the notes on the map and see that a ferry trip from Kollam to Allappuzha (not even as far as Kochi) will take seven hours to complete that you start to get an idea of what we’re dealing with here. Some context in the form of the large lakes that the canals join together would be helpful in this regard. 

I’d also agree that the maze-like representation of the ferry routes in the middle isn’t very helpful, although it seems that Allappuzha is the main hub and ferries from elsewhere all end up there eventually. Another thing to note is that India has officially-designated National Waterways, much like National Highways – the main water route through this area is National Waterway 3, and is clearly marked as such on the map.

Our rating: Not beautiful, and not really that great for ferry route-finding. But in the end, it’s quite a nice little overview of transportation in the Kerala region as a whole. Two-and-a-half stars.

Historical Map: Map of Glasgow Corporation Transport Services, c. 1934

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A handsomely drawn map that does some sterling work with just three colours (a very modern combination of black, cyan and magenta!).

Of particular note is the clever way that a solid magenta line (bus service), can be combined with a dashed black line (trams) to indicate where both types of transportation share the same route without having to draw two separate lines. Interestingly, buses appear to have route numbers, while trams are designated by their final destination only.

Glasgow’s single circular subway line is shown in nicely contrasting cyan, as are neighbourhood labels and the River Clyde.

Source: mikeyashworth/Flickr

Historical Map: Working Sketch for 1979 New York Subway Map by Nobu Siraisi

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As you might probably guess, I’m not really that fond of the current New York Subway map, although its longevity is certainly to be respected. It was first revealed to the public in 1979, and – despite revisions, service changes and disasters – has remained pretty much the same ever since.

However, this preliminary sketch by designer Nobu Siraisi, collaborating with Michael Hertz on that map, is nothing short of delightful. It looks like it was made in an effort to untangle the web of route lines around the busy Atlantic Avenue station with an eye on label placement as well. Note that the label for Grand Army Plaza station has been erased from the right hand side of the route lines and redrawn to the left. It’s also interesting to see just how much cleaner and legible even this spaghetti-strand map is without the underlying street grid of the full map.

The interview in the Gothamist that this image came from is definitely worth reading, although Michael Hertz certainly has a very rose-tinted view of how his map replaced the Vignelli diagram that came before it.

Source: Gothamist interview with Michael Hertz in 2007, via Aaron Reiss (Twitter)

Submission – Unofficial Maps: Redesigned “INAT” Metro Maps of the World by Jug Cerovic

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Submitted by Jug , who says:

I completed a set of new schematic metro maps of 12 cities using a common standard. I have tried to make easy to read, memorize and use maps but at the same time pleasant looking. Crowded centers are enlarged and specific features such as ring lines highlighted.

You can see all the maps here.

Transit Maps says:

You all know that I love an ambitious transit mapping project, and this is up there with the most ambitious I’ve seen. Jug has taken twelve of the most iconic metro maps out there – New York, Mexico City, Madrid, Barcelona, Paris, London, Berlin, Moscow, Beijing, Shanghai, Seoul and Tokyo – and redesigned them all using a standardised design style, font (looks like DIN) and square format.

Despite the common language, the maps still manage to look unique to their city: no easy feat! Jug has managed to impart a very stylish feel to the maps by the use of large, sweeping curves instead of tight angles. There’s some nice information hierarchy too, with Metro/Subway/U-Bahn lines getting full, bright colours while commuter rail/S-Bahn lines are rendered in muted pastel colours.

I would say that some of the maps are more successful than others (Moscow falls a bit flat for me, while New York is incredibly dense and crowded), but this is still an outstanding example of strong unifying design principles applied well across a wide variety of different transit maps.

You should definitely head over to the project website to view and compare all twelve maps; there’s also prints for sale!