Fantasy Map: Columbus, Ohio Light Rail by Michael Tyznik

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It’s been a good week for fantasy maps here on Transit Maps. Hot on the heels of the superb Freshwater Rail map comes this beauty from Michael Tyznik of his hometown of Columbus, Ohio. There’s an undoubted Massimo Vignelli 1970s New York Subway map vibe to this – Michael told me that this project actually began as an update of that map, but then morphed into another city altogether – but it still manages to look fresh and new, thanks to some subtle touches like updating the ubiquitous “subway map” geometric sans font with Akzidenz Grotesq and Gotham Black. If you have time, I’d definitely pay a visit to the map’s project page on Michael’s website where you can see the progression of his thoughts on transit in Columbus – from a fairly generic and bland concept that looks like it could be any city in the world, through an elegant-looking light rail system that utilises existing freight-rail right-of-ways, to this (final?) considered and intelligent piece. You can buy prints at Michael’s Society6 store.

Have we been there? No.

What we like: Looks great! The concept also looks plausible (to the eyes of someone who has never been to Columbus, at least!), and the amount of thought put into this map really shows.

The blocking out of localities is something that could look heavy-handed and forced, but comes across quite well. It definitely gives context to the routes. The dashed line treatment for the express routes is quite beautifully done: I especially like how there’s a neat little box around stations where the dash doesn’t show. Adding street names along the streetcar routes is a nice usability touch, especially when the routes convert from light rail to streetcar, reinforcing the differences between the services offered by the two modes.

What we don’t like: I’d like to see more differentiation between local and express stations than just whether the name is set in bold or regular text. I don’t think that this is enough of a visual clue for a transit map by itself – maybe a black station dot for express, and a white one for local could work.

While I understand why individual stops on the streetcar lines aren’t shown (stops are closer together and thus “beneath” the scale of this map), I think it would be useful to indicate where transfers between light rail and streetcar can be made. Examples of this include the 2, 3 and 4 where they cross the light rail lines at Union Station, the 2 and 3 at Morse Road on the “A” line, and the 3 at Easton/Stelzer Road on the “E” line. A simple line linking the lines may be enough to indicate that a transfer can be made.

Apart from these thoughts, there’s just a couple of minor quibbles: some of the rounded edges on the localities don’t seem to nest well with the curves of the river (look at the north east corner of Franklinton, for example), the letter designation circles for the “A” line are a different blue to the line itself (C75 M33 Y1 K0 compared to C67 M35 Y2 K0), and the gaps at the directional arrows in the one-way sections of the streetcar routes area a little wide for my liking.

Our rating: Excellent. Well-considered and thought out, stylish and attractive. A couple of usability issues that can be easily corrected. Thanks for sharing your map with us, Michael. 4 stars!

Source: Michael’s website

Official Map: Belgian Railways Network, 2012

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Following on from the previous post about Luxembourg, here’s another nationwide system map that resembles a subway map, this time for Luxembourg’s neighbour, Belgium – the land of beer, frites and Tintin!

Have we been there? Yes, during my European jaunt in 2003. I caught trains from Brussels to Ghent, Ghent to Bruges, Bruges to Ypres and Ypres back to Brussels.

What we like: Nice simplification of a relatively complex network. Major hubs are treated particularly well, especially Brussels – which is actually pretty clear even without the inset.Colour is used nicely to provide differentiation between adjacent route lines and zones (which don’t correlate to Belgium’s provinces, as far as I can see).

What we don’t like: The strange placement of elements on the page really detract from the map. The nationwide map could be larger, and the Brussels inset needs to be boxed in and highlighted better.The corporate branding in the bottom right is very average indeed. Orange is a terrible colour for a gradient effect. Awful treatment of the coastline and ocean.

Some odd route choices which may be technically accurate, but don’t help the map to read better. An example of this is the 12 route out of Antwerpen-Centraal, which loops all the way around Antwerp to the south and east before heading north through Antwerpen-Luchtbal towards Amsterdam. This may be what actually happens in real life, but do we need to see it on a simplified diagram to understand where the train goes?

Our rating: Solid effort, let down by some poor page layout. 2.5 stars.

Source: Official Belgian Rail website

Photos: How the WMATA Rush+ Maps Are Printed

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Many thanks to Matt Johnson for telling me about this amazing photoset on Flickr that details the process involved in printing the new Rush+ station maps for Washington, DC’s Metro system. Click through to see the whole set!

Even as an experienced graphic designer, I was amazed to see that the maps are screen printed — each colour on the map is printed one after the other, each using a separate screen with its own spot colour ink. With a map as complex as this, that means that there are a whopping twelve different colours to print! These being: river blue, park green, National Mall green, Blue Line, Orange Line, Yellow Line, Green Line, Red Line, Silver Line, District/County border grey, Beltway grey, and finally, black.

I would have thought with the advances in digital printing and stochastic (micro) screening, that these could be produced digitally in one step instead of twelve, but maybe these are special long-lasting UV inks that will withstand many years of use without fading — an important consideration for station maps! In any case, these photos are a fascinating behind-the-scenes look at a process that many people may not even think about.

Edit: A Metro representative has confirmed that there are THIRTEEN colours used in the printing: 4 greys (Silver Line, Beltway grey, county border grey, and icon grey), 3 greens (parks, Mall, Green Line), 2 Blues (river, Blue Line), Black, Red, Yellow and Orange.

Photo: Luxembourg Rail Map, 1999

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I guess when your entire country is the size of a large city, you’re allowed to show your rail network in the form of a subway map.

Source: davidwilson1949/Flickr

Fantasy Map: Freshwater Railway, Detroit and Southeast Michigan

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This map has to be part of the most convincing fantasy transit system I have ever seen. As well as this stylish and distinctive map, there’s an entire website, complete with additional bus maps, timetables and more. I’ll also note here that the website design puts most transit agencies to shame…

If you weren’t familiar with Detroit, you’d be forgiven for thinking this was real (I kind of wonder how many tourists have been tricked into thinking this system exists). It’s only when you realise that the trains “depart” from the derelict Michigan Central Station (which is also Freshwater Rail’s business address), that the elaborate hoax is revealed.

Have we been there? Yes, to visit my father-in-law. He lives in South Lyon and works at the University of Michigan in Ann Arbor, so he’d still have to drive to work unless the connections were remarkably good…

What we like: Attractive and distinctive map, based on 30-degree angles instead of the usual 45. It’s nice to see a map that forges its own identity and is not afraid to look different, even if it’s not real. The pastel route lines with their thick black borders are surprisingly effective, and together with the typeface chosen (Brandon Grotesque), create a lovely Art Deco feel to the whole map. Part of a greater, entirely cohesive whole – this is seriously impressive work.

What we don’t like: Not entirely in favour of the type angled up at 60 degrees, as I feel it makes the map harder to read, but acknowledge that it suits the design aesthetic of the map quite well.

Our rating: Astounding. 5 stars!

Source: Freshwater Railway website

Photo: Metro Light Rail Network Map, Sydney

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Can you call it a network map when it consists of one line and a soon-to-be defunct (and despised) monorail? A north pointer would really help here as well, as west is at the bottom of the map.

Source: Michael “Comeng301M” Coley/Flickr

Official Map: Rail Transit of Nürnberg/Fürth, Germany, 2011

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Here’s an interesting map from Nürnberg (Nuremberg) in Germany that uses 30-degree angles instead of the usual 45. There doesn’t seem to be major thematic reason as to why things have been done this way: I suspect that it’s purely to make the routes fit into the allotted space.

Have we been there? Yes, in 2003.

What we like: Competently done, with a visually pleasing layout and good information hierarchy – the U-Bahn and tram get the important route colours, followed by the distinctive green S-Bahn routes, and subsidiary grey Regional trains.

What we don’t like: The grey text that sits behind the map denoting the two cities is huge, overpowering and distracting. If the text has to be that large, it could be tinted back much lighter. I’m not entirely sure why its needed, as the two Hauptbahnhofs could both labelled with the relevant names.

A few poorly drawn curves, especially where the S1 and R1 lines turn north. The triple arrowhead in the southeast where the S2, S3 and R5 lines leave the map would work much better if the central arrow was extended a little further so as not to touch the other arrows. The bus interchange icons are a little visually strong, while the Park and Ride icons recede too much into the background. The U21 and tram route 6 seem unnecessarily close in colour.

Our rating: Good without being outstanding in any way. Three stars.

Source: Official VAG website

Official Map: Bus Routes of Sherbrooke, Quebec, Canada

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This map was nominated by Tumblr user Tevi as the worst transit map ever. While I don’t agree, as the map is at least competently drawn, it does have some serious shortcomings, not the least of which is knowing how much detail is too much.

Have we been there? No.

What we like: The blue background behind the map is a refreshing change from white or neutral grey, and the north pointer is quite lovely (north pointers are often very generic and boring, so it’s good to see a nice one).

What we don’t like: The first infuriating thing: the lack of a legend or key that explains what the different styles of route lines represent. Why do some have a white dotted line in the middle? Why are some dashed? It was only after 20 minutes of study that I realised that the dotted route lines correspond to Minibus and Taxibus services. I’m still not entirely sure what the dashed lines represent. Peak-hour only?

To my mind, there’s too much unnecessary route detail on the map. Do users of the map really need to see the separate entry and exit ramps that the buses use to access or leave the freeway in order to get to their destination? It just adds extra visual clutter to the map and could be simplified.

The rainbow circle of routes around the Université de Sherbrooke really needs some work, and the less said about the inset of the city centre, the better – it barely shows any more detail than the main map and seems to be very confused. I still can’t work out the exact placement of the Dépot station…

Our rating: At first glance, looks quite good, but has some fatal usability flaws that make it very difficult to use. Two stars.

Source: Official STS website

Reader Question: Adjusting the x-Height of a Typeface

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Reader Question: Help. I’m designing a tube map using Illustrator. I would like the x-height of the font I have chosen to be the same as the thickness of the tube lines. But Illustrator only seems to allow me to adjust the total height of any font, not the x height – so I can’t get a perfect match. Do you have any idea if this is possible? I Couldn’t find any information about it on Google. Many thanks for your help. Daniel.


Transit Maps says:

Daniel, adjusting the x-height of a font independently of its point size is not possible. It’s an inherent property of each font that helps give each different font their distinctive look. Fonts with larger x-heights (lower-case letters that are bigger in proportion to the capital letters) are preferable for transit map designs because of the enhanced legibility, especially at a distance or with smaller sizes. You’ll just have to do some measuring of your chosen font to work out which point size gives you the desired result.

Official Map: Bus Routes, Yellowstone National Park

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Yellowstone National Park is probably one of the last places I would think of regarding transit maps — but here one is. The Linx Cooperative runs transport to and through the park and released this map for the 2012 season to showcase their services.

Have we been there? Yes, but with my own transport. By the way, everyone should visit Yellowstone — it’s truly amazing (See my photoset on Flickr).

What we like: Nice attempt at clean design to illustrate services that not many people may be aware of. Routes and stops are shown clearly and concisely.

What we don’t like: The “Red Line” runs clockwise around the park loop, while the “Orange Line” runs counter-clockwise, but there’s no indication of this on the map. There’s only a few services each day, so I feel that timetabling or frequency information could be added to the map fairly easily. I’d also like to have seen the transit map look and feel pushed a little further — thicker, more graphic route lines: this feels a little like a normal map with some coloured route lines on it.

Our rating: Competent and clean, but could have been so much better. Two-and-a-half stars.

Source: Official Linx website – link no longer active