Clockwise/Counter-Clockwise: the Berlin Ringbahn Map

May 17, 2013
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That’s enough from Boston for a while… let’s head to Berlin to look at this odd little map.  It shows the S41 and S42 S-Bahn lines, which travel clockwise and counter-clockwise, respectively, along the Ringbahn, a 37km (23 mile) loop around Berlin.

While the map is packed with information – interchanges with other S- and U-Bahn services, stations with transfers to Deutsche Bahn trains, and estimated travel times between major stations – it just feels a little messy and unfinished to me, and definitely at odds with the precise and minimalist design style one normally associates with German transit maps.

Source: luciwest/Flickr

Unofficial Map: MBTA Map Contest Entry by Michael Kvrivishvili

May 17, 2013
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Here’s another entry for the MBTA’s map contest, sent to me by Michael Kvrivishvili, a graphic and interactive designer from Moscow.

Michael has chosen to show all of the services on his map that the MBTA does on their map – subway, BRT, commuter rail, key bus routes and ferries. He pulls it off pretty well, too, although the convoluted network of bus routes is always going to look a little busy.

Like Kerim, Michael’s map features a perfect diamond representing the downtown interchange stations, and he also manages to fit in all the Green Line stations.If it wasn’t for the little flip in the Red Line to Braintree, he’d also have a perfectly straight diagonal line across the map! Despite these similarities, the two maps are really quite different.

Much like the current Washington DC map, Michael has added badges to the end of each line that denotes that line’s name –  “OL” for Orange Line, and so on – an excellent aid for color-blind users of the system. He also adds the full name of the line in very small text within each line, which seems redundant and is also far too small to be of any real use.

For the most part, Michael’s handling of the commuter rail lines is well done: they’re obviously lower in the information hierarchy than the main subway lines, but still look attractive. Again, the ends of the commuter rail lines feature some lovely and unusual arrowheads – I love this sort of attention to detail. The one place the map is not as clear as it could be is at Readville station. The Fairmount Line terminates at this station, while trains on the Franklin Line stop, but trains on the Stoughton/Providence Line pass through without stopping. On Michael’s map. the Franklin Line looks like a continuation of the Fairmount Line (which isn’t named on the map), and there’s no visual indication that Stoughton/Providence trains don’t stop here.

There’s more usability problems with the Silver Line at Logan Airport. Michael shows all the stops, but he doesn’t show how the route loops around. From the information shown on the map, a reader might expect that once the bus reaches the end of the line at Terminal E, it reverses back along the line, stopping at the other terminals again along the way. A similar problem is evident with the end of the SL2 line at Design Center (also a loop in real life).

Interestingly, Michael has chosen to show non-accessible stations on the map, rather than accessible ones. This actually works quite well at cleaning up the central part of the map, where there are more accessible stations than non-accessible ones.

A few other thoughts: the legend at the bottom of the map is beautifully laid out; the subway to bus/commuter rail symbol is subtle but effective; and the bus routes are generally pretty well done. Also, the Silver Line makes a big capital “B” in the middle of the map!

Our rating: Really quite good. The few shortcomings are probably due to Michael’s unfamiliarity with the system and look like they could be easily fixed. Three-and-a-half stars.

Source: Email from Michael, also on Flickr

Unofficial Map: Kerim Bayer’s MBTA Map Contest Entry

May 15, 2013
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While I’m personally not too keen on the MBTA’s map contest, I totally respect the rights of those who still wish to participate. As they’ve told me in conversation, kudos and recognition can be very strong reasons for less experienced or amateur designers to enter. A couple of those designers have sent their entries in to me to review and share with you – this one’s from Kerim Bayer, who also produced this rather striking map of Istanbul’s rapid transit system (June 2012, 4 stars).

To my mind, it’s definitely an improvement on the current map. The removal of the key bus routes helps to create a much cleaner look, although at the obvious loss of that information. The alignment of the Red Line – a strong, straight, diagonal slash across the map – provides a powerful visual axis, as does the perfect diamond formed by the major downtown interchanges (a device very reminiscent to the perfect square seen on older MBTA maps). Kerim has also managed to fit all stations on the Green Line branches into the perfect square required by the MBTA – a formidable achievement indeed!

The white stroke on the commuter rail and Mattapan lines help to differentiate these services from the main subway routes nicely and attractively (I love the arrowheads at the ends of the commuter rail lines), although I think the device is less successful when used on the Green Line. While it’s true that the B, C and D branches of the Green Line do act more like streetcars in the sections indicated, does having this information on the map actually help the viewer in any way? You still stay on the same train from one end of the branch to the other without the need to change trains like you would on the Mattapan line at Ashmont. One could also argue that the D branch also runs on the “surface”, as do portions of the Orange and Blue lines, albeit in specialised rail corridors.

While the typeface used is a lovely, modern sans serif font – Bariol, a welcome and interesting break from the ubiquitous Helvetica – I would say that much of the labelling on the map is too small: Kerim’s Instanbul map also suffered from this. It certainly adds to the clean look of the map, but diminishes its usability – especially when viewed from a distance, as it would often be in the real world at stations.

While Kerim has managed to show all of the stops on the Silver Line 2 BRT route out to Design Center, he has condensed all the Logan Airport stops into one blanket “mega-station”. Knowing that the bus stops at all of the terminals (and actually has two stops at the “B” terminal) as well as the direction it loops around the terminal road is necessary information and – to my mind – really needs to be included in some form.

Our rating: Stylish, clean and modern-looking. The type is a little too small to be easily readable, and some important information is lacking. Three stars.

Source: via email conversation with Kerim

Visualization: Topology versus Geography in Transit Maps

May 14, 2013
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Here’s a nice little animated diagram from Fathom Information Design that compares the two polar opposites of transit mapping using Boston’s MBTA rail network as an example. Click through to play around with it, and see the benefits and drawbacks of the two approaches. It’s also super fun to watch the map morph between the two styles.

In real life, most transit maps fall somewhere between these two extremes: very few use such a strict topological grid, and completely geographically accurate maps are also very rarely used for this purpose – even the New York subway map has a certain level of simplification and abstraction.

Historical Map: The City of Los Angeles Showing Railway Systems, 1906

May 13, 2013
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Here’s a great old map of Los Angeles showing the already-booming rail transit network that was found in Los Angeles in the early days of the 20th Century. Electric trolleys first ran in LA in 1877, but  the “Red Cars” of the Pacific Electric and the “Yellow Cars” of the narrow-gauge Los Angeles Railway had only appeared a mere five years before this map was produced. Their lines are represented on the map in appropriate colours, along with those of other, less-remembered, railway companies.

Technically, the map is beautifully drawn, although there’s some strange issues with route lines extending past the visible area of the map and spilling over the lists of street names, the map’s legend and even completely bleeding off the edge of the page (see the detail view of the legend above for an example). It could be intentionally done, but it certainly looks a little messy.

From a production viewpoint, it seems as though the map was printed with five different inks: black for the street name legend and Los Angeles Pacific RR routes, yellow for the Los Angeles RR, red for the Pacific Electric, green for the Los Angeles Inter-Urban RR, and a dark blue for the Los Angeles & Redondo RR and the underlying linework of the map itself. Understandably, given the fairly primitive printing technology of the day, the registration of these colours is a little bit off in places.

See also: these maps of the Pacific Electric network from c. 1920 and 1925.

Our rating: A beautiful look at the early days of mass transit in LA. Four stars!

Prints of this map are available at my on-line store. Click here!

Source: Library of Congress Maps

Historical Map: London Connections, 1988

May 10, 2013
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The reverse side of the British Rail Network SouthEast map, showing the detailed view of the area surrounding London. While this map is designed in a very similar style (at the same time, by the same people) to the regional map, I feel it’s slightly less successful for a few reasons.

The inclusion of the London Underground introduces many more colors to the map, which instantly makes it feel much busier. After using all these familiar and well-established colours for the Underground, there really aren’t many colours left to use for the main line/Network SouthEast routes. So they get saddled with orange, a very vivid, powerful colour that visually dominates the map, especially south of the Thames.

Interestingly, the London Overground – a service which has largely been formed from parts of these old main line routes – also uses orange as its route colour: is this map the origin of that designation?

Other points of interest: The Docklands Light Railway, opened the previous year, is shown but has not yet acquired its distinctive teal route colour. The Waterloo & City Line (a very short line between Waterloo and Bank stations) is still part of British Rail, not the Underground.

See also this British Rail map from 1965 (May 2012, 4.5 stars) that covers a very similar area but omits the Underground.

Our rating: A fine piece of work that skillfully incorporates a lot of information, but not as excellent as its sibling. Three stars. 

Source: smallritual/Flickr

Historical Fantasy Map: St. Paul in the Year 1900 (Map c. 1871)

May 10, 2013
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Definitely one of the stranger maps I’ve seen, and obviously meant to be read in a satirical light. It shows the city of St. Paul, Minnesota as an enormous METROPOLIS with Roman Road-straight railroad connections to all points (except to the “village” of New York, which is served by a “tri-weekly horse railroad”), a tunnel to “Peek-in” and a “railroad-balloonic route” to the North Pole and thence to the Moon. From America’s east coast, a gargantuan suspension bridge implausibly crosses the Atlantic to London – double-tracked the whole way, at that.

The explanatory text is quite hilarious at times. “Duluth,” it states, “is to be wiped out entirely, as it deserves for having the temerity to exist” while “Chicago is to be a signal station on the horse railroad to New York, which is deemed to be all the conveniences required for those insignificant villages.”

The text even pokes fun at the absurdity of the map itself, noting that “It may strike a stranger that some of these parallel roads [railway lines] may have a hard time of it to earn dividends, particularly as they have no way stations”.

Source: Minnesota Historical Society via Taras Grescoe

Historical Map: British Rail Network SouthEast, 1988

May 9, 2013
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Network SouthEast was an operating division of British Rail that was formed in 1982 (although it was known as London & South Eastern until 1986). It was responsible for inter-city and commuter rail for the densely-populated south east of England, including London. Of course, beginning in 1994, Network SouthEast was privatised along with the rest of British Rail, leading to the convoluted network of private rail companies we see today.

But what we have here is a very handsome network map, which obviously owes a great deal to the London Underground map, but has enough of its own identity to stand alone. This is mainly achieved by the removal of the Underground’s distinctive Johnston Sans typeface, replaced with what looks like a condensed Helvetica or similar Gothic face.

The map is broken down into six regions, which are cleverly shown by only using three repeating colours (red, blue and grey): this prevents the map from looking too rainbow-like and gives it a more corporate feeling. A fourth colour – orange – is used to show the brand-new ThamesLink service running north-south through London.

The London region itself only shows main terminals and connecting stations: a more detailed map of this area is shown on the reverse of this map: this keeps the map clean and uncluttered.

About the only real problem I have with this map is the colour of the water, which is almost exactly the same as the blue type that is used to denote connecting ferry services and ports. For example, there’s a ferry to France from Newhaven Harbour, but it’s very difficult to make that out.

Our rating: An excellent example of mid-1980s map design (remember: this is still before computers entered the design field, so a map of this complexity was quite an undertaking). Four stars.

Source: smallritual/Flickr

Photo – Official Map: Portland MAX Horizontal Strip Map

May 8, 2013
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The newest rolling stock used on Portland’s MAX light rail (Siemens S70 cars, known as “Type 4”) has enough room above the doors to display a horizontal version of the system map. Types 1 through 3 don’t have this space, and instead display an unwieldy portrait-oriented version of the map that bears little resemblance to geographical reality.

Interestingly, this map is not the same as the official system map found on TriMet’s website or ticket machines (despite sharing the same orientation and very similar proportions) but instead is yet another completely different layout. Wisely, the information on the map has been simplified down to the essentials – route lines and stations. Even the WES Commuter Rail has been omitted: there’s simply a note at the Beaverton Transit Center station noting that transfers to the weekday rush-hour only service can be made.

However, the map is also arguably the most geographically accurate version that TriMet has made: the Red and Blue lines take a big detour southwards from Sunset TC to Beaverton TC on the west side, just like in real life. Similarly, the Blue Line’s realignment from alongside I-84 to E Burnside St after Gateway TC makes an appearance. Even the slight changes in direction at either end of the Blue Line are reminiscent of actual geography.